SHORT FILM
Monocle Flims, 30 June 2010
Danish architect Jan Gehl is improving quality of life in cities across the globe, taking the focus away from the car and putting it back on people, with pedestrianised streets and improved cycling infrastructure. Calling itself “consultants in urban quality”, Gehl Architects works to return a human scale to public spaces.
TALK
Eric Sanderson, Ted Talk, July 2009
But every time I would return from my trips I’d return back to New York City. And on my weekends I would go up, just like all the other tourists, to the top of the Empire State Building, and I’d look down on this landscape, on these ecosystems, and I’d wonder, “How does this landscape work to make habitat for plants and animals? How does it work to make habitat for animals like me?” I’d go to Times Square and I’d look at the amazing ladies on the wall, and wonder why nobody is looking at the historical figures just behind them. I’d go to Central Park and see the rolling topography of Central Park come up against the abrupt and sheer topography of midtown Manhattan.
For the Manahatta Project and beyond click here.
DOCUMENTARY
William H. Whyte, Project for Public Spaces, 1980
One major finding began to shine through, and I’ll now share it with you. ‘People tend sit where there are places to sit.’ This may not strike you as an intellectual bombshell, but this simple lesson is one that very few cities have ever heeded – they’re tough places to sit in.
This documentary is not available on line at this time of writing, but if you can get hold if it, it is a great watch.
BOOK
William H. Whyte, Project for Public Spaces, 1980
It is often assumed that children play in the street because they lack playground space. But many children play in the streets because they like to. One of the best play areas we came across was a block on 101st Street in East Harlem. It had its problems, but it worked. The street itself was the play area. Adjoining stoops and fire escapes provided prime viewing across the street and were highly functional for mothers and older people. There are other factors at work, too, and had we been more prescient, we could have saved ourselves a lot of time spent later looking at plazas. Though we did not know it then, this block had within it all the basic elements of a successful urban place.
For more from Project for Public Spaces, the nonprofit organisation founded by William H. Whyte, and the work they are doing around placemaking, click here.
BOOK
Jane Jacobs, Vintage, 1961
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.