The downside of having cities that are both productive and fun is that if you don’t build enough housing they become too expensive. There is no repealing the laws of supply and demand.
Iggy Peck, Architect
BOOK
Andrea Beaty (Author), David Roberts (Illustrator), Harry N. Abrams, 2007
Good Gracious, Ignacious!’ his mother exclaimed. ‘That’s the coolest thing I’ve ever seen!
For Iggy Peck’s Big Project Book for Amazing Architects, click here.
See inside ‘Ancient Rome’
BOOK
Katie Daynes, Usborne Books, 2006
On the streets. More than one million people live in Rome. The streets are alive from sunrise to sunset with people shopping, eating and running errands.
The Social Life of Small Urban Spaces
DOCUMENTARY
William H. Whyte, Project for Public Spaces, 1980
One major finding began to shine through, and I’ll now share it with you. ‘People tend sit where there are places to sit.’ This may not strike you as an intellectual bombshell, but this simple lesson is one that very few cities have ever heeded – they’re tough places to sit in.
This documentary is not available on line at this time of writing, but if you can get hold if it, it is a great watch.
The Social Life of Small Urban Spaces
BOOK
William H. Whyte, Project for Public Spaces, 1980
It is often assumed that children play in the street because they lack playground space. But many children play in the streets because they like to. One of the best play areas we came across was a block on 101st Street in East Harlem. It had its problems, but it worked. The street itself was the play area. Adjoining stoops and fire escapes provided prime viewing across the street and were highly functional for mothers and older people. There are other factors at work, too, and had we been more prescient, we could have saved ourselves a lot of time spent later looking at plazas. Though we did not know it then, this block had within it all the basic elements of a successful urban place.
For more from Project for Public Spaces, the nonprofit organisation founded by William H. Whyte, and the work they are doing around placemaking, click here.
Invisible Cities
BOOK
Italo Calvino, Harcourt Brace Jovanovich, 1974
Marco resumed saying, enumerating names and customs and wares of a great number of lands. His repertory could be called inexhaustible, but now he was the one who had to give in. Dawn had broken when he said: “Sire, now I have told you about all the cities I know.”
“There is still one of which you never speak.”
Marco Polo bowed his head.
“Venice,” the Khan said.
Marco smiled. “What else do you believe I have been talking to you about?”
The emperor did not turn a hair. “And yet I have never heard you mention that name.”
And Polo said: “Every time I describe a city I am saying something about Venice.”
The Death and Life of Great American Cities
BOOK
Jane Jacobs, Vintage, 1961
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.